Sunday, August 14, 2011

Dancing Naked On Bukowki’s Grave



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REVIEW OF DANCING NAKED ON BUKOWSKI’S GRAVE

All night I dreamed of the poems of Ben John Smith and Catfish McDaris in their new book Dancing Naked on Bukowski’s Grave.  I read non-stop the Catfish section which comprises the second half of the book, tore through it like the sex-crazed maniac I’ve always been, running down the street after that guilt-ridden fantasy bus headlined real life.  Afterward on the bus, and in my tortured sleep, I began to understand the meaning of the ritual phrase that’s what I’m talking about.  I formed words in my dreams to explain to Catfish how reading his amazing output was like looking into his soul, if anyone has such a thing, because oddly, he approaches soulful material through an outrage of the senses, because he talks about boogers and shit and glorious cunt-holes that most people lack the courage to discuss, yet isn’t that where we all live?  In God’s lap? . . . where Catfish firmly sits while fervently invoking Him in the moving “Calluses”: “I believe in God/I just feel like/kicking his ass/sometimes, when/terrible stuff happens/to the innocent”.

Take for instance “Even Rats Party in Hell’s Kitchen”, a fantastical portrait of the toilet at Dangerfield’s Comedy Club, the cooking up of a poetic recipe that starts out with some possibly true measurements.  1) toilets in NYC and Paris are in “dim decrepit basements, swampy funk-ridden holes”;  2) “the stairway is rancid”;  3) “a cloud of maryjane fumes engulfed me”; 4) “I heard female laughter and an Asian language coming from the Men’s Room”;  the rest could be called imagination straight from God when he introduces “a talking rat” with “a tiny hard-on”.   With these ingredients Catfish leaves the kitchen and enters the inner rooms of the soul, a mystical journey to jolt the jaded and wise-up the weary.

“While Bogart Played with Rock Hudson’s Balls” is another myth-buster.  We knew Rock was gay but what about Bogart?  I always suspected he was a real pussy with his various wives in spite of his tough guy image.  I could imagine Lauren putting him to bed with a glass of warm milk.  Sure, he smoked, but that only began as a way to show what a regular guy he was.  Then he became addicted to sucking butts.  Maybe Rock was the one with the real balls; gay, and enjoying his lifestyle to the hilt.  Like the cops in stanza three.  What’s this tough guy bullshit all about, anyway? Think about it with help from Catfish.                                                                                                            Patricia Hickerson

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Humphrey Bogart Played With Rock Hudson's Balls



Two guys in the park were smoking

a blunt, one held on to it, his pal grew

bored, so he unzipped him &

sucked his big banana dick



The cops came just as the dude

did, he couldn't stop, it was like

Old Faithful, glug swallow glug

the cops tapped them both on

the head, then on the mushroom



They started to charge them with

possession & indecent exposure, 

but they let them go, they could

hardly wait to get back to  the

squad car.



Catfish McDaris


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To purchase this book go to this site
type in Dancing Naked On Bukowski’s Grave and click Get It

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Catfish McDaris is based in America and operates a poetry blog:


Ben Smith is based in Australia and operates a poetry blog:
 
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PATRICIA HICKERSON


I grew up in NYC/Jersey. I graduated from Barnard College. Came to California in 1956.  I was 28. I’ll talk about my writing . . .  not my career as a Warner Bros. dancer, artists’ model, mother of three, teacher, reporter.  I started with poetry at age 7, much later reading my poetry in San Francisco bars and bookstores. Got a masters in Creative Writing from San Francisco State, and a doctorate in education from USC where my husband was associate professor for 23 years. I became a paid propagandist for the Communist Party; sold pornography to various Penthouse publications such as Forum, Letters, Erotica, Variations.  Then back to poetry; I came to the realization that literary trash, sleaze and the truth carried by these ideas are paintings of the world to come.  These “paintings” have been published in the chapbook Dawn and Dirty and the broadside At Grail Castle Hotel, both from Rattlesnake Press; other poems have been published in Convergence, Medusaskitchen, poetrynow, Presa, Choices, Echoes, Passager, catfishgringoriver, poets for peace, living waters, Rattlesnake Review.

Here’s a couple of sites where Patricia’s work can be found:



 
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Rumour Has It:

Patricia Hickerson is writer and at 83 a survivor and rumour has it that in the old days she knew them all  - Kerouac, Mailer, Pollock, Kline, Billie Holliday, Charley Parker, Brando, Montgomery Clift, Corso, among others. . . in the bars and hipster joints around the Village in NYC. 

"My husband was an addicted gambler from the age of 12, son of Communist parents. His father ran for Congress on the CP ticket in 1932. His mother was very beautiful and an intellectual. His parents are featured as Arthur Raymond and Rebecca Valentine in Henry Miller’s Sexus. Miller does a beautiful and fairly accurate job of describing them. My father-in-law had been a boyfriend of Henry’s in Brooklyn.
Because he was a gambling addict as well as a brilliant lecturer, my husband hung out with some very dubious characters in his constant quest for money and we all worked for the mob on a low level during the 70s and 80s, mainly counting the take in porn theatres around
Northern California.
I started writing porn, first for small mags like High Society, Pillow Talk; then later through one of my mentors, novelist Mary Bringle who knew an editor at Penthouse Letters Michael Dorsey, I began to get published in Letters, Forum, Erotica, and V.K. McCarty’s Variations (for women). These stories are definitely fictional. At one point I wrote a sex advice column with the nom de plume Juanita Bottom. There had been several Juanitas before me; even the letters are made up. The pay was phenomenal."
 
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Catfish McDaris recently won a Flash Fiction contest at Buns & Barbs judged by the 2009 poet laureate, Jonathan Penton from Unlikely Stories; he has an interview with Charles Plymell; and a video with Belinda Subraman on Outsider Writer; he has work on/in The, and Black Listed magazines.

He has been published in New York Quarterly, Louisiana Quarterly, George Mason Quarterly, Main Street Rag, Pearl, Bukowski Review, Chiron Review, Haight Ashbury Review, Sho, xib,  Lobster Cult, Thirteen Myna Birds, Beggars & Cheeseburgers, Sex & Murder, Gutter Eloquence, Naughty Girlx, Unlikely Stories. and many more.

He won the Uprising Award in 1998. He has won the Poetry Slam twice at the Green Mill in Chicago, birthplace of the poetry slam. His last poetry reading was at the Shakespeare & Co. Bookstore in Paris.

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Monday, August 8, 2011

lucien willingham - paintings and found images


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 paintings





















Still Life With China Coffee-Cup. 

 (siberian acrylic paint on bangladeshi canvas)



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Still Life With Black Dots. 

(siberian acrylic paint on bangladeshi canvas 
stretched over a javanese pine frame) 

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Man In Red Jacket Peeking Out The Window
aka Dancing On The Edge Of Eternity

regular acrlyic paint on regular canvas 


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 found images: some retitled
               





Espresso Coffee Machine 1856 Port Said. 


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It Takes A Train To Moan By Chance.

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West Of The Wall 1962.


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Nude With Banjo


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 The Great Sacred Ritual Of The 
St Kilda Bodgies & Widgies




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Marion Morehouse, by ee cummings, 1933, 
oil on canvas board

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 Noise Number 1, by ee cummings, 1919, oil on canvas


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Crayon on paper, by jack kerouac, 1953

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images for the ee cummings paintings sourced here:
http://www.eecummingsart.com/artwork/ 

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Wednesday, June 15, 2011

The Avatar



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1964                  



                The Universal Message

I have come not to teach but to awaken. Understand therefore that I lay down no precepts.
Throughout eternity I have laid down principles and precepts, but mankind has ignored them. Man’s inability to live God’s words makes the Avatar’s teaching a mockery. Instead of practicing the compassion He taught, man has waged crusades in His name. Instead of living the humility, purity and truth of his words, man has given way to hatred, greed and violence.
Because man has been deaf to the principles and precepts laid down by God in the past, in this present Avataric form I observe Silence. You have asked for and been given enough words-it is now time to live them. To get nearer and nearer to God you have to get further and further away from “I”, “my”, “me”, and “mine”. You have not to renounce anything but your own self. It is as simple as that, though found to be almost impossible. It is possible for you to renounce your limited self by my Grace. I have come to release that Grace.
I repeat, I lay down no precepts. When I release the tide of Truth which I have come to give, men’s daily lives will be the living precept. The words I have not spoken will come to life in them.
I veil myself from man by his own curtain of ignorance, and manifest my Glory to a few. My present Avataric Form is the last Incarnation of this cycle of time, hence my Manifestation will be the greatest. When I break my Silence, the impact of my Love will be universal and all life in creation will know, feel and receive of it. It will help every individual to break himself free from his own bondage in his own way. I am the Divine Beloved who loves you more than you can ever love yourself. The breaking of my Silence will help you to help yourself in knowing your real Self.
All this world confusion and chaos was inevitable and no one is to blame. What had to happen has happened; and what has to happen will happen. There was and is no way out except through my coming in your midst. I had to come, and I have come. I am the Ancient One.
— Meher Baba























1943


























1956
      
      























a photo of a painting by karl gallagher of Meher Baba's Samadhi (tomb shrine)
located at Meherabad, Ahmednagar, India


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Thursday, April 14, 2011

Ben Smith



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  A Review by Catfish McDaris


Horror Sleaze Trash
by Ben John Smith

Horror Sleaze Trash is beautifully done 110 page hardcover book of poems by Ben John Smith. Simply put it is a loaded bazooka that fits nicely in your hands and fires round after round, guaranteed to knock down anything that moves. Ben is from Melbourne Australia, so his writing gives an insight into his country. He works construction, drinks with his mates, is true to his woman, and likes Elvis Presley. Ben runs one of the top “anything goes” on line literary and art zones at horrorsleazetrash.com. The poems in Horror Sleaze Trash, his second hard bound collection are each a bit different examining life under a poetic microscope and exposing it in many brilliant ways. In “Chump” the poem has a poet explaining to his woman (as all poets must do at some time with their loved ones) why most of his non-writing work mates won’t buy his books, but will blow loads of cash on drink and horse races. At the end of this poem he ends up sitting in the rain with a kangaroo with a broken leg until the cops show up to shoot it. Sadness made its debut in this poem, but there are plenty of happy ones and head shakers also. Words of too much drink, old men described perfectly, vaginas, sweaty dicks, folks going to church, Henry Miller, a black fella with lice, a dude that shits like a drainpipe in a thunderstorm. Ben John Smith writes as all educated men do or as Gary Snyder said “deeducated” which is uncivilized and barbaric. He’s well read and influences of Bukowski, the Beatniks, Travis Bickle, Joseph Conrad, and Galatians from the Bible appear, but Ben’s got an original voice and shows no fear. In “Foreskin” he compares a bulldog on ice cream to sticking his dick in a beer bottle. Included are three poems titled “Shaving My Balls Pt.1, 2, 3” and they end in a query to askjeeves.com about what to do about itching testicles. Australian English is a bit different from American English, which is refreshing and makes this book that much better. The slick cover by (ths) is the nicely shaped rear view of a near nude lady before a wall of graffiti. There’s a cool photo of Ben at end of the book standing in front of the Liberated X Bookshop and ladies, he’s easy on the eyes. I wholeheartedly recommend buying this book, you won’t be sorry.

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Purchase Information:
Ben John Smith
PO Box 806
Tullamarine, 3049
Victoria,
AUSTRALIA
ISBN 978-1-4467-1427-0


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Hey Guido mate,
Ahh thats a shame about . . . 
but anyway love yr blogo
I have attached an image, if its okay let me know.
below are 4 poems from the book. Ben
 
 
 
Sea Shells in my Shit
 
It's my sister's going away party.
 
I eat a handful of sea shells
from a bottle on top of the toilet.
 
I want something to remind me of her.
 
I was drunk
and they were only very
small
but each mouthful
hurt my throat.
 
I swallowed them one at a time
very drunk,
half-expecting to vomit them up.
 
But I didn’t.
 
For the next few days I shit sea shells.
 
Thinking of her
when I stare at my turd.
Beautiful
spiral and round sea shells
 
floating in my shit,
like an island on the beach.
 
I sneak outside and have a cigarette.
 
Life always turns out
the way it should.
 
 
---
 
 
Hear What You Want to Hear
 
Deliberating another bottle
of wine
I ask her if we
can sleep in tomorrow
as late as possible.
 
She wakes up
from her sleep on the couch
and says,
 
“Somewhere over the rainbow?”
 
It's playing on the
television.
 
I say,
“What, you mean
like the song?”
 
"Yeah,"
she says,
"something like that."
 
Then,
the bottle cracks
like a roar
of quiet
thunder.
 
 
---
 
 
My Monroe
 
She doesn’t want
what she's
got.
 
Doesn't want
to just stand there
and look
smoking hot.
 
Doesn't want to be
a wallflower.
 
Not just a pretty face.
 
She tells me this
while I sit on the couch
and sip at
another beer.
 
Probably the 13th
for the night.
 
I say,
 
“So you want me to
be like Bruce Willis
in Unbreakable?”
 
Pretending like
I'm anything more
than a bloke with a
shit head
and dreams of
being
remembered.
 
It's the beer talking
and I'm being
a little too honest
about it all.
 
We have a big fight
and
she smashes a glass.
 
In the morning we
cuddle
in a rainbow-sheeted
bed.
 
And I tell her
I think she
is just like Monroe.
 
I put my hands
into her silk
underpants
and tell her
she has a
pretty pussy.
 
She laughs and
tells me to write
an extremely
sad poem
and end
with those words.
 
She has
 
such a very
 
pretty pussy.
  
 
---
 
 
War Pig
 
War was perhaps
the best thing
to happen in this world.
 
It killed the falseness,
the pretence,
the immaturity
of love
in the modern sense.
 
In the sense without war.
 
It gave passion and
purpose,
and shadowed all the other
madness
of first dates and
“get me a chicken
sandwich”
quarrels.
 
It made
love worthwhile,
 
not the fickle
and intangible
show bag
it is today.
 
I wish war was
more plentiful.
 
It gave us
genuine life,
in all of its
death.


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BIO: Ben John Smith is a melbourne based dude 
who wants to break into the world of horror and porn, 
he pretends like he is a genius.   
His blog is found here - www.horrorsleazetrash.blogspot.com


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Tuesday, March 1, 2011

karl gallagher



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 woman with a painting. 2002, karl gallagher




“A Flash Of Lighting In A Summer Cloud”
            for Alison.

Terry
was the last time we were face to face
that shitty night in ‘71
when I was fetched to that big house
in the old money suburb?

we stood so close our bodies touched
our eyes inches apart
on a landing at the top of the stairs
at an open window
our eyes locked, for a moment
I was suddenly taken aback

I went out on the rooftop
where your wife sat at the far end
thirty feet above a brick courtyard
my oldest friend from art college days
I sat beside her and talked
of God knows what for what
seemed like an hour
then she smiled

aah fuck it  
what does it matter now anyway?
this life is nothing more than a dream
a phantom reality
a flickering lamp in the night

◈

within months it all went mad for me
the days crumbled
old friends abruptly disappeared
the inner city Melbourne streets
had become chasms
that suddenly opened and closed

I was taken from the counter-culture scene
poems n paintings n Big Pink
those things
had to be set aside like a child’s playthings
other demands were made of me
older loyalties asked of me
a different season fated for me
to move among the densest shadows
right there on the midday Carlton streets
in front of everyone’s eyes
amidst everyday appearances
the disappearances
the treacheries 
the killings
the mad-houses
the prisons
the living dead and the dead living
who could tell one from the other
everyday reality melted into dream
as effortlessly as sugar in tea

◈

I came out the other end of that decade alive
but broken and I thought unfixable
entered the eighties as a crazy drunken fool
talking gibberish after two beers 
or standing at some bar arm in arm
with the phantoms of dead friends
deep in conversation

fuck it
what does it matter now
when I last saw you

2010

an earlier version was previously published on  
http://collectedworks-poetryideas.blogspot.com/

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painting. 1984, karl gallagher



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